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William Schwob “Figure Looking Back”, Anagama wood fired clay with steel base, 2024, 67˝x18’x13.5˝ |
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Steve Senter “Search Party”, oil on canvas, 2025, 45˝x36˝ |
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Steve Senter “Spinnaker”, oil on canvas, 2025, 36˝x45˝ |
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Charlie Silber-Byrne “Arrangement #17”, photographs/pigment prints, 2025, 45.75˝x28.75˝ |
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Stephen Skaar “Como Fumar Marijuana: New Eyes”, acrylic on canvas, 2025, 24˝x20˝ |
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Stephen Skaar “Como Fumar Marijuana: Old Gringo”, acrylic on canvas, 2025, 24˝x20˝ |
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Stephen Skaar “Como Fumar Marijuana: Pot Party”, acrylic on canvas, 2025, 24˝x20˝ |
| Vickie Jo Sowell “Bay Monolith (model)”, welded steel, 2025, 86˝x41˝x33˝ |
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M. Louise Stanley “Fountain of Youth”, acrylic on canvas, 2024, 50˝x62˝ |
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M. Louise Stanley “Fountain of Youth”, gouache, gold leaf, 2022, 16˝x12˝ |
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Eleine Sun “Grit”, oil paint, 2020, 20˝x16˝ |
| Cuong Ta “Slab Vase”, black glaze, stoneware, fired in reduction, 2025, 12˝x11˝x9.5˝ |
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Cuong Ta “Slab Vase”, red underglaze decoration stoneware, fired in reduction, 2025, 22˝x17˝x6˝ |
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Cuong Ta “Vase with Attachments”, black glaze stoneware, fired in reduction, 2025, 8˝x8˝x8˝ |
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Will Tait “Mendocino Coast near Howard Creek”, plein air - oil on canvas panel, 2019, 12˝x15˝x1˝ |
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Yuki Takahashi “A Piece of My Heart”, mixed media/resin, acrylic, synthetic fiber, leather, glass eyes, 2025, 12˝x6˝x4˝ |
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Jitendra Tandel “Landscape”, oil, 2021, 36˝x48˝ |
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Michelle Ternus “Purple Lemons 1”, watercolor, 2022, 12˝x12˝ |
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Michelle Ternus “Purple Lemons 2”, watercolor, 2022, 12˝x12˝ |
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Michele Théberge “Connection”, watercolor, acrylic, textile, Rubus parvifloris, Frangula californica, Ribes sanguineum, and Arctostaphylos pajaroensis on paper, 2025, 28˝x21˝ |
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Michele Théberge “Day’s End”, acrylic on yupo, pellon, and textile, Juncus patens on paper, 2023, 10˝x8˝ |
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Michele Théberge “Family Gathering”, canvas, acrylic, gouache, papers, textile, Salvia apiana on paper, 2023, 10˝x8˝ |
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Bonnie Thomas “Rest and Motion 3”, color print, 2025, 29˝x23˝x1˝ |
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Rui Tong “Baby Chicken”, oil, 2024, 5˝x5˝ |
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Rui Tong “Blue Bird”, oil, 2024, 5˝x5˝ |
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Rui Tong “Rooster 01”, oil, 2024, 5˝x5˝ |
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Rui Tong “Rooster 02”, oil, 2024, 5˝x5˝ |
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Linh Tran “Breea Contemplates the City”, oil on canvas, 2025, 32˝x26˝ |
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Linh Tran “Pacific Park Plaza”, oil on canvas, 2025, 60˝x36˝ |
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Eugene Tssui “Father and Sun in the Ocean, Tyler, Texas”, ink on canvas, 1979, 40˝x60˝ |
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Lynne Turner “Both Side of the Block”, pigment print transfer on wood, 2025, 15˝x20˝x1/8˝ |
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Lynne Turner “Shadows”, archival pigment print, 2025, 15˝x20˝ |
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Lynne Turner “Through Winter Trees”, pigment print transfer on wood, 2025, 15˝x20˝x1/8˝ |
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Lynne Turner “Winter Reflection”, pigment print transfer on wood, 2025, 15˝x20˝x.125˝ |
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Heather Van Winckle “Double Pleated”, packing paper, tape, ball-point ink, wood, 2025, 49˝x17˝x8˝ |
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Jesse Walton “Gust”, acrylic on burlap, 2025, 14˝x11˝ |
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Jesse Walton “Herb Shower”, acrylic on burlap, 2025, 18˝x18˝ |
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Jesse Walton “Twilight Interlace”, acrylic on burlap, 2025, 18˝x18˝ |
| Kazuko Watanabe “Mapping Trace - ‘25”, multiple color etching, embossment, 2025, 46˝x34˝x2˝ |
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John Wood “Black and Blue”, mixed media on paper mounted on panel finished with cold wax varnish, 2024, 40˝x40˝x2˝ |
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John Wood “Ghost Shadow”, mixed media on paper mounted on panel finished with cold wax varnish, 2024, 40˝x40˝x2˝ |
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John Wood “Probing the Surface”, mixed media on paper mounted on panel finished with cold wax varnish, 2024, 40˝x40˝x2˝ |
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John Wood “The Story Unfolds”, mixed media on paper mounted on panel finished with cold wax varnish, 2024, 40˝x40˝x2˝ |
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Tina Yang “Birthday Wish (9)”, watercolor, graphite, pastel on paper (giclée),, 2025, 16˝x12˝ |
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Tenli Yavneh “Halloween: The Night We Stayed Home”, drawing pens on mixed media paper, 2022, 2 pages 11˝x8.5˝ each (diptych) |
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Tenli Yavneh “NYPL Memories/Muhlenberg Branch”, Drawing pens, ink wash, watercolor on mixed media and watercolor papers, 2024, four pieces of varying sizes: 10˝x7˝; 10˝x7˝; 12˝x9˝; 5.5˝x 8.5˝ |
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Anastasia Yip “Frozen Grapes”, digital painting, inkjet print on paper, 2025, 11˝x8.5˝ |