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Stephen Skaar “Alembix (4 Enclosures) “Waters Within”, “Lamp for Alistair”, “Corazon”, “Three-Banger”, acrylic on canvas, 2024, 27˝x21˝ each |
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Vickie Jo Sowell “Water Tribute”, welded steel, 2024, 108˝x70˝x20˝ |
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M. Louise Stanley “Form Follows Function”, acrylic on paper, 2022, 30˝x22˝ |
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Cuong Ta “Curved Walls”, stoneware, 2024, 7˝x22˝x7˝ each |
| Cuong Ta “Slab Half Moon Vase”, stoneware, 2024, 19˝x22˝x8˝ |
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Will Tait “Strange Attractor #1”, digital prints created with a fractal-based algorithm, 2024, 8 prints, each 8.25˝x6.25˝ |
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Jitendra Tandel “Stay Home Save Lives”, oil color, 2021, 26˝x32˝ |
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Gail Tarantino “Funny/Not Funny”, acrylic ink and paint on linen with stitched Kogan thread, 2024, 34˝x32˝ |
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Michael Teresko “Concrete Henge”, archival pigment print from analog source, 2024, 16˝x27˝ |
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Michael Teresko “Flat Shrub”, silver gelatin print, 2024, 10˝x13˝ |
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Michael Teresko “Portland Shrubbery”, archival pigment print from analog source, 2024, 16˝x27˝ |
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Michele Théberge “In Charge”, acrylic and textile on wood, 2024, 18˝x18˝ |
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Michele Théberge “New Suns”, acrylic, Pellon and textile on wood, 2024, 18˝x18˝ |
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Kim Thoman “Love from Afar 12”, powder coated steel and oil, 2019, 38˝x44˝x15’ |
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Andrina Thomas “It's Giving...Neon Retro Vibes”, acrylic, 2023, 14˝x11˝ |
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Bonnie Thomas “Motion and Rest 1”, pigment print, 2024, 29˝x23˝ |
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Bonnie Thomas “Motion and Rest 2”, pigment print, 2024, 29˝x23˝ |
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Rui Tong “Morocco”, oil on canvas, 2024, 24˝x18˝ |
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Eugene Tssui “Telos Marina and Interdisciplinary Education/Recreation/Creativity Park Brisbane, CA”, architectural rendering, 1989, 25.25˝x51˝ |
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Lynne Turner “Summer, Hollis Street”, permanent pigment digital print, 2024, 20˝x13˝ |
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Heather Van Winckle “Crumpled Khakis”, Kraft paper, decorative paper, copy paper, adhesive, 2024, 16˝x18˝x14˝ |
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Heather Van Winckle “Hot Under the Collars”, watercolor on Yupo, metal rivets, 2024, 4˝x40˝x5.5˝ |
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Lena Verderano Reynoso “The Eye Vendor”, acrylic on canvas, 2023, 18˝x18˝ |
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Jesse Walton “Grain Guardian”, acrylic on burlap, 2024, 14˝x11˝ |
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Jesse Walton “Seven Grain Planter”, acrylic on burlap, 2024, 14˝x11˝ |
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Chiachen Wang “Never Have I Ever”, oil, 2023, 30˝x20˝ |
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Yuqi Wang “The Emeryville Greenway Nocturne”, Chinese ink and mineral pigments on rice paper, 2024, 14˝x14˝ |
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Kazuko Watanabe “Queen of Epiphyllium”, multiple color mezzotint, 2024, 36˝x30˝, 38˝x33˝ with frame |
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John Whitehead “Cubi Libre”, stainless steel, aluminum, powder coating, 2024, 81˝x25˝x16˝ |
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Eli Wild “Gouache Sketch #25”, gouache and India ink on paper, 2024, 7˝x5˝ |
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Eli Wild “Gouache Sketch #38”, gouache and India ink on paper, 2024, 7˝x5˝ |
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Eli Wild “Gouache Sketch #42”, gouache and India ink on paper, 2024, 7˝x5˝, |
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Sydney Wilkinson “Spares”, collage with buttons, 2024, 10˝x8˝ |
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John W Wood “Long Forgetting”, mixed media on paper mounted on panel, 2024, 40˝x40˝ |
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Tina Yang “Birthday Wish (i)”, watercolor, graphite, pastel on paper (giclée), 2024, 16˝x12˝ |
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Tenli Yavneh “Remembrance of things past. Vol. 1: Mom’s Way”, drawing pen on mixed media paper, 2023, one frame, 2 pieces “sequential art”, each page 9˝x12˝ |
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Anastasia Yip “Panther and Dragon”, acrylic on canvas, 2024, 12˝x36˝ |
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Steven Zhang and Yifeng Wang “Bedroom”, digital drawing, 2013, 13˝x13˝ |