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Airiel Mulvaney “Gayatri Mantra Blue, no. 6”, acrylic and glaze on wood panel, 2022, 16˝x16˝ |
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Michael Murphy “Fleur”, acrylic on canvas, 2024, 36˝x36˝ |
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Yuzo Nakano “Circle-in-Blue”, archival pigment ink on canvas, 2022, 16˝x16.5˝ |
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Yuzo Nakano “Circle-in-Red”, archival pigment ink on canvas, 2023, 16˝x16.5˝ |
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Yuzo Nakano “Location in Green #1”, archival pigment ink on canvas, 2022, 16˝x16.5˝ |
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Bonnie Neumann “Dancing Fennel No.2”, oil on linen over panel, 2024, triptych, 48˝x12˝ each panel |
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Jeannie O’Connor “Curved Wall”, painted film over chalk pastel, 2016, 41˝x28˝ |
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Robert Ortbal “Samaritan Case No. 2”, mixed media, 2023, 24˝x18˝ photograph, 12˝ diameter case |
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Karen Palamos “The Fitting”, photo montage, 2023, 10˝x10˝x.75˝ |
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Mika Parajon “Vibey Succulent”, acrylic, pastel chalk, woodburning on wood panel, 2024, 24.9˝x11.8˝ |
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Nora Pauwels “Differences”, collage, 2023, 19˝x28˝ |
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Nora Pauwels “Horsetail”, etching, 2023, 20.5˝x14.5˝ |
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Melody Petalstorm “Something for Everyone”, fabric nail wipes, various nail art products, thread, ribbon, 2024, 104˝x58˝ |
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Damon Powell, PhD “Pincha Mayurasana: Forearm Stand”, acrylic on canvas, 2019, 36˝x24˝ |
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Lisa Quiles “Maria”, acrylic, 2023, 29˝x24˝ |
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Matt Reynoso “Lucky Triptych: #1, #3, #4”, carved basswood, 2024, 11”x9”x2” each, 24˝x24˝ |
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Ruth Rhoten “Spirit”, acrylic on canvas, 2001, 48˝x48˝ |
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Sara Richardson “One Morning in Vietnam”, photograph, 2021, 25”x32” |
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Laura Rifkin “Where Am I?”, repurposed wood street signs from Calistoga: acrylic, collage, printmaking, 2024, 39.5˝x7.75˝ each |
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Valeria Riquelme “Popo and Izta”, marker doodles on plastic mannequin, 2024, 34˝x15˝x10˝ each |
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Lisa Rock “Chicory at Sibley Volcanic Preserve”, oil on canvas over panel, 2023, 20˝x16˝ |
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Tom Ross “Lynne's Flowers”, digital painting with shards of photography, 2023, 20˝x16˝ |
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Guillermo Salazar “Jake the Duke”, oil on wood, 2014, 20˝x16˝ |
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Indubitable Design - Eric Sanchez / Matt Reynoso “Neil's Ark”, mixed media, spray paint, stencil and screen print, 2024, 24˝x36˝ |
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Luza Sanchez “Adjacent Sky, Where the Shadows Live”, acrylic on canvas, 2024, 16˝x12˝ |
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Stephen Sanford “Ash & Pikachu vs. Panel 2”, watercolor, pen fine liner, digital edits, 2023, 11˝x17˝ |
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Stephen Sanford “Reimagined Pokémon Box Art”, watercolor + Sumi ink, digital type and graphics, 2022, 11˝x17˝ |
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Dean Santner “Farewell Parma - It’s Been Fun”, wood, 2024, 15˝x13˝x7˝ |
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Evan Schneider “Crazy for Cocoa”, bronze and patina, 2019, 7˝x15˝x6˝ |
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Evan Schneider “POPamole”, bronze and patina, 2018, 9˝x8˝x5˝ |
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Evan Schneider “Small Potatoes”, bronze, 2017, 12˝x20˝x10˝ |
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Joel Harvey Schreck “Beam Me Up”, digital painting, 2017, 9˝x16˝ |
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William Schwob “Past Future Figure”, Anagama wood fired clay with steel base, 2023, 71˝x13˝x16˝ |
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Courtney Sennish “Green Fluorescent Ground Cover”, aquatint etching, 2024, 18˝x12˝ |
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Courtney Sennish “Pink Fluorescent Ground Cover”, aquatint etching, 2024, 21˝x15˝ |
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Steve Senter “Small Green”, oil on canvas, 2023, 30˝x24˝ |
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Barry Shapiro “Nuns, Icarus & Everyman”, photomontage digital print, 2016, 24˝x36˝ |
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Charlie Silber-Byrne “Arrangement #10”, pigment prints, 2024, triptych, 17.8˝x45.5˝ |
