 ; |
Rachel Dosh ˝Women Code˝, fabric, 2023, 12.75˝x12.75˝ |
 |
David A. Dugoncevic ˝And Sometimes Death˝, oil on canvas, 2019, 13˝x9˝ |
 |
David A. Dugoncevic ˝Drive Me, Crazy˝, oil on canvas, 2022, 20˝x30˝ |
 |
Waldemar Dynerman ˝The Elephant˝, oil on canvas, 2022, 72˝x96˝ |
 |
Jack Easterday ˝Deep Cut Cheese Board˝, wood, 2023, 12˝x9˝ |
 |
Jack Easterday ˝Heavy Swirl˝, wood, 2023, 8˝x8˝ |
 |
Amber Evans ˝Off to See the Wizard˝, digital photography on metal, 2022, 14˝x11˝ |
 |
Mike Farruggia ˝Dollar Store˝, wood, pencils, tape measurers, 2023, 49˝x49˝ |
 |
Mike Farruggia ˝Hot Banana˝, wood, epoxy, street signs, 2021, 65˝x48.5˝ |
 |
Mike Farruggia ˝Window #1˝, wood, epoxy, 2022, 49˝x62˝ |
 |
Margaret Fisher ˝The Projectionist˝, mixed media, 2015-2023, 18˝x52˝x8˝ |
 |
Erin Fong ˝Chroma Clusters #1˝, acrylic airbrush on mylar, plexiglass frame, 2022, 11.5˝x8.75˝x1.75˝ |
 |
Erin Fong ˝Chroma Clusters #3˝, acrylic airbrush on mylar, plexiglass frame, 2022, 11.5˝x8.75˝x1.75˝ |
 |
Erin Fong ˝Chroma Clusters #4˝, acrylic airbrush on mylar, plexiglass frame, 2022, 11.5˝x8.75˝x1.75˝ |
 |
Adriana Fracchia ˝Wildcat˝, photographic b&w print, 2023, 11˝x14˝ |
 |
Natalie Friedman ˝Ellsworth St. Kitchen˝, acrylic on cradled wooden panel, 2023, 48˝x60˝ |
 |
Natalie Friedman ˝IKEA Alex and Chair˝, acrylic on cradled wooden panel, 2023, 8˝x8˝ |
 |
Natalie Friedman ˝Kitchen with Orange Chair˝, acrylic on cradled wooden panel, 2023, 8˝x8˝ |
 |
Natalie Friedman ˝Pedestal Table with Fig˝, acrylic on cradled wooden panel, 2023, 8˝x8˝ |
 |
Roberto Gastelumendi ˝Cradle Bench˝, mixed hardwoods, 2023, 17˝x76˝x13˝ |
 |
Roberto Gastelumendi ˝Jointed Stool˝, mixed hardwoods, 2023, 17˝x12˝x14˝ |
 |
Ruth Gilmore ˝Journey˝, photograph, 2023, 20˝x30˝ |
 |
Marvin Granlund ˝Seismic Rupture˝, collage, 2023, 26˝x21˝ |
 |
Steve Green ˝Future American West˝, ink and clay on wood, 2023, 16˝x14˝ |
 |
Steve Green ˝The Concept of Global Warming Was Created in Order to Make US Manufacturing Non-competitive˝, ink and clay on wood, 2023, 18˝x14˝ |
 |
Raphael Greenberg ˝Madrid at Sunset˝, acrylic print, Vivid-Lexjet Lustre, DiBond backing, hand-polished crystal clear edges, 2017, 8.5˝x11˝ |
| Richard Greenstone ˝Guggenheim No. 2˝, digital pigment print, 2022, 24”x30” |
|
 |
Richard Greenstone ˝Iron˝, digital pigment print, 2020, 30”x24” |
 |
Richard Greenstone ˝Sunflower-verso˝, digital pigment print, 2022, 24”x30” |
 |
Eric Hamlin ˝Shame˝, oil, 2022, 36˝x24˝ |
 |
Carl Hoard II ˝Peak Season, Maroon Bells - East Side of the Elk Mountains, Colorado˝, digital photographic imaging on aluminum, 2022, 20˝x30˝ |
| Craig Hong ˝Untitled 1˝, acrylic on canvas, 2023, 42˝x50˝ |
|
| Archana Horsting ˝Reflecting Pond after Eugene Atget˝, oil stick on paper, 2022, 27.75˝x39.5˝ |
|
| Anny Hu ˝Leave Me Alone˝, Chinese ink, 2020, 17˝x13˝ |
|
 |
Cheshire Isaacs ˝S&J˝, photo on aluminum, 2023, 24˝x24˝ |
 |
Addie Jenkins ˝Reflections˝, digital print, 2022, 22˝x28˝ |
 |
Packard ennings ˝37,000 Square Feet Available (Public Water Filling Station)˝, photograph 1/6 edition, 2023, 16.5˝x22.5˝ |
 |
Packard Jennings ˝44,281 Square Feet Available (Public Showers)˝, photograph 1/6 edition, 2023, 16.5˝x22.5˝ |
 |
Harley Jensen ˝Abstract #1˝, photo, 2020, 19˝x25˝ |
 |
Harley Jensen ˝Abstract #4˝, photo, 2020, 19˝x25˝ |